In an effort to jump start the steadily declining sales of the Les Paul Model, Gibson abandoned the familiar gold finish and used a translucent, cherry sunburst finish which showed off the figured maple tops that were often used on Les Pauls. The renamed Les Paul Standard made its debut in 1958. Now part of Gibson’s proprietary new Vintage Original Spec series — the next step in their journey toward perfection.
Body & Hardware:
Carved plain maple top
Solid, non-weight relieved mahogany back
Single-ply cream binding on top
Thin toggleswitch washer & jackplate
Nickel hardware
ABR-1 bridge, lightweight aluminum stopbar
Neck & Headstock
1-piece mahogany neck w/ long neck tenon
22-fret rosewood fingerboard
Acrylic trapezoid inlays (accurate shape and color)
Single-ply cream binding
Early ’50s rounded neck profile
24-3/4 in. scale length, 1-11/16 in. nut width
Holly headstock veneer
Vintage tulip tuners
Electronics & Strings
BurstBucker 1 (R) and 2 (T) pickups
CTS pots and bumble bee capacitors
2 volume, 2 tone, 3-way selector switch
Vintage Reissue .010 strings
Includes Custom Shop case, certificate of authenticity, and custom care kit.
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I've been playing for over 30 years, mostly semi pro (50-60 gigs/year) and I've owned dozens of guitars over the years. Every since I bought a Historic/Custom Shop Reissue 61' SG Custom in Phelem blue I thought, I've got to find a Les Paul that's as good as this SG. The SG was amazing in the quality, finish, and sound. I've considered 58' Historics, 59' Historics, Standards, everything that I could find on the net but I'm glad I bought this guitar! Many of the other posts on this guitar attribute the fantastic sound of this guitar to the pick up and I don't disagree, I think they are probably the most satisfying Gibson style pick ups I have heard in a Les Paul. But a guitar has to have a great sound to start with or great pickups won't help much. The moment I strummed this guitar unplugged I could hear it's unbelievable resonance and sustain. This guitar is an amazing instrument. I thought I'd never paid this kind of money for a guitar but this is the best guitar I have ever had in my hands. My guitar is more on the mellow side tonally but it will scream on the lead pickup and purr on the bass pickup. The thing I like is it doesn't get all muddy on the bass pickup yet not too trebly on the lead pickup – perfect combo! I'm playing through a Germino Lead 55 (think 68'plexi) it doesn't get much better than this! Clean, it sounds warm, soulful and inviting, cranked, it will scream like the best Paul's of the 50's & 60's.
This guitar just shipped from the factory to Russo Music the week of March 26th. I had been looking at all kinds of Pauls on the net and in local stores for months. When I saw this one and reviewed the features, it sounded like the guitar I was looking for. The guitar was of course made in the Custom/Historic shop. It has a AAAAA top finished in an amazingly cool "Washed White" finish! It looks like an iceberg, white & light blue waves of color. It's the only one I've ever seen with this finish. Two burstbuckers (not sure which one's they are, Gibson didn't specify). Slim 60's style neck. Light weight (8.5lbs). Great Custom Shop case. Custom Shop/Historic goodies bag and a 15ft CBI guitar cable. Stardard Kluson tuners. Tune-o-matic bridge. No pick guard or holes for one!
The guitar play fantastic. I love the 60's style neck and I'm so glad I didn't get a 58'. The hype right now is all about the big necks – I have average to small hands and I don't like to have to work so hard with the big necks. It's a fade and will pass and in a few years I bet knowbody will want them accept big handed guys like Stevie, Hendrix and the like! The only critical comments I could make here are that I can see a little bit of plane-ing or sanding marks on the rosewood fingerboard in a few places. They don't interfere with the the playability but you can see them in bright light.
I hope to never have to test this out. I will say that I shot a "kudos" message off to Gibson's relations@Gibson.com but have never received an acknowledgement from them. Why have an email address for customer relations if no one is home! Dud.
Dino Martino (04/11/2003)
Dream Guitar
It is the best guitar I ever owned. It has the heaviest, but at the same time nicest, sound in the world. The only minus is the price.
Ivar from Zagreb, Croatia (Sep 19, 2004)
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