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Taylor

Epiphone Masterbilt EF500RCCE Acoustic-Electric Guitar vs. Taylor 314CE Grand Auditorium Cutaway Acoustic-Electric Guitar (with Case)

Epiphone Masterbilt EF500RCCE Acoustic-Electric Guitar

Epiphone Masterbilt EF500RCCE Acoustic-Electric Guitar


Epiphone Masterbilt promo video (.wmv)

Epiphone Masterbilt guitars are built to such great specifications that they rival overly expensive “higher-end” guitars. The EF500RCCE is crafted with a solid rosewood body and topped with solid cedar wood providing both warmth and character that only gets better with age. A rosewood fingerboard on a mahogany neck provide smooth playability. Masterbilt guitars provide quality to last for years whenever, wherever, or however you use them.

Epiphone Masterbilt EF500RCCE Acoustic-Electric Guitar Features…

Hardware: Gold

Scale: 25.5 in.

Nut width: 1.75 in.

Neck: Dove Tail

Neck material: Mahogany

Fretboard/Inlay: Rosewood/Diamond Inlays

Binding: B

Body material: Solid Rosewood

Top: Solid Cedar

Pickup System: eSonic2

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Oh, this is best for finger style guitar playing. With ceder top, that sound is mellow. Not too much bass. Not so much bright. But very expressiveness.

I think that the sound dynamic range is not so wide than ordinal dreadnought gig. But the sound balance is good. So I can express my feeling all the time to my this epiphone.

I, am true fingerpicker, can enjoy the melody, bass, accompaniment from my guitar.

pickups: lr baggs

hardware:gold

scale: 25.50''

nut width: 1.75''

neck: dove tale

neck mat: mahogany

fb/inlay: rw/diamond

binding:b

body mat: solid rosewood

top: solid ceder

finishes: ns

pickguard

modern v-shape neck

satin finish

cutaway

w/ gigcase

Made in China

The body is not so big and not so heavy. I can hug this very easily.

The slightly wider fretboard is the best for my fingerstyle play.

First, I like this body design totally.

Satin finish top is good for me.

Tunig peg is too small.

Gig case is too luxually :-)

jgkmm554 (04/05/2007)

I really dig it. I really like the slightly wider fretboard – a tad wider than my Martin DM. Makes it easier to chord cleanly and get out those individual notes when cross picking or finger picking. Using it mainly through a Yamaha DG Stomp into a Marshall acoustic amp. Sounds great just into the amp as well. Sounds fantastic acoustically. Very evenly balanced output across the strings. The bass is very tight, only slightly less than a dred. This guitar is going to record very well.

2004. Made in China, setup in US. 14 frets to the body. Cutaway. Solid cedar top. Rosewood back and sides. Neck mahogany. LR Baggs Element Pickup with soundhole thumbwheel volume control. Satin finish. Grover gold open-gear tuners. Fairly deep V-shaped neck. 1.75" nut spacing. I believe you'd call it a "grand auditorium" body style. Epiphone doesn't give much description of their own on their website. In fact, as of this review – 11-6-04 – this model was not even mentioned or pictured on the Epiphone website. I bought it on a lark after reading the description on Musician's Friend web site. They had no pics as well. Comes with hard foam gig bag/case.

Set up well. I may lower the action a smidge. The new strings that it came with were deceiving at first – the guitar was overly bright. But after playing with it awhile, the sound has evened out and the bass and mids are projecting nicely. Great woods, inlay & binding… has a rather small, basic looking bridge. I'll swap the plastic bridge pins with wooden ones. I accessed the LR Baggs end pin jack – pulled it out the soundhole a bit – to see about attaching a lead to the ring connector for adding a second pickup according to LR Baggs directions. I've got an LR Baggs M1 soundhole magnetic pickup and tried it in this axe and really like it. Adds a great jazz-box tone when put through a tube amp. I plan on splitting the output from the end pin jack – M1 into a Reverend Goblin and the Element into my acoustic amp or PA. Only thing I wasn't happy about was the way the internal wiring was clamped down, using those little wire clamps with two sided tape, to the underside of the cedar top. Not to the bracing mind you, but to the cedar itself. I've installed several pickup systems and I always leave the top intact, tying down any loose wiring to the bottom bracing. It was no problem to correct this.

Never had to deal with them…though I am still amazed that this model is not presented on their website – not even a pic – but yet is on sale at on-line music stores. Go figure.

Gary Phillips (11/06/2004)

Taylor 314CE Grand Auditorium Cutaway Acoustic-Electric Guitar (with Case)

Taylor 314CE Grand Auditorium Cutaway Acoustic-Electric Guitar (with Case)

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The Taylor 314ce features a Grand Auditorium body, Venetian cutaway, and the Taylor Expression System, adding up to a versatile guitar that’s perfect for stage and home.

Strong Rhythm

The warm tone and open midrange of African mahogany balances the bright and snappy characteristics of a Sitka spruce top. The resulting combination provides the perfect guitar for strong, rhythmic playing styles.

Grand Size

The Grand Auditorium combines the width and depth of a Dreadnought with a narrower waist. Its sleek design yields a strong treble zing across the tonal spectrum and sharpens the definition of individual notes. The Grand Auditorium is a strong fingerpicking guitar that also adapts well to medium strumming.

Taylor Expression System

Designed to faithfully reproduce your guitar’s native tone, the Expression System utilizes patented Dynamic Sensorsto capture top and string vibration like never before. Created in partnership with renowned audio pioneer, Mr. Rupert Neve, the Taylor ES is seamlessly integrated into the design of the guitar from the ground up. Onboard tone controls provide added flavor, or set flat for an uncolored, exceptionally clean amplified sound.

Fit & Finish

The finish used to create this guitar’s textured satin back and sides and lustrous gloss top was developed at Taylor for maximum durability and resistance to cold-checking. This ultra violet-cured finish is also more environmentally friendly than traditional lacquer finishes. Available in natural finish.

Taylor 314CE Grand Auditorium Cutaway Acoustic-Electric Guitar (with Case) Features…

Type/Shape: 6-String Grand Auditorium

Back & Sides: African Mahogany

Top: Sitka Spruce

Soundhole Rosette: Wood Fiber

Neck: Tropical American Mahogany

Fretboard: Ebony

Fretboard Inlay: Large Pearl Dots

Headstock Overlay: Indian Rosewood

Binding: Black Fiber

Bridge: Ebony

Nut & Saddle: Tusq

Tuning Machines: Chrome-plated Taylor Tuners

Strings: Elixir Light Gauge Strings with Nanoweb Coating

Scale Length: 25-1/2 in.

Truss Rod: Adjustable

Neck Width at Nut: 1-3/4 in.

Number of Frets: 20

Bracing: Scalloped, X-Brace

Finish: Satin with Gloss Top

Cutaway: Venetian

Electronics: Taylor Expression System

Body Width: 16 in.

Body Depth: 4-5/8 in.

Body Length: 20 in.

Overall Length: 41 in.

Case: Taylor Hardshell

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Wow, warmth, balance and just a real beautiful sound. Not nasaly at all, but crisp with the right touch of richness. It is certainly one of the best sounding flattops you can play. Itonation is spot on and the projection is strong but not overpowering. It just soudned so nice when I played it first time in the shop, it had to come home with me. The sound is very pleasing and not harsh or boomy. To my ears it is excellent.

This is a Grand auditorium, with a Alerce top and I can't spell ti linval back and sides. The woods are so warm and apealling visualy, but the sound just wins me over. I know this is a very old growth wood from S America but I don't care it sounds beautifula dn looks a little like cedar, but crisper. It has a cutaway, rosewood fretboard, no fancy inlays, a simple but elegant rosette and a bookmatched back that is seemless and hard to even see the seem. The tuners are Jingho but hold tune well. The guitar is not flashy in anyway. The simple elegance it has is a feel like a classical gives you with the rich hues of cedar and rosewood, but these are more unique woods. I have a B-Band PU in it and that sounds really nice too. I have sunrise and k & K in my other guitars but I like this too. Nothing over the top but it has a really nice loook and feel to it.

The action is medium. It is now settled in. The finish is even and attractive. It is anice light but glossy finish that is just right for the wood hues of the guitar. Teh bidninggs look perfectly tight still and the frets and neck joint were executed with high quality. I ahve no complaints.

JazzTradition (08/06/2006)
"I Own Your Dream Guitar!"

Never have had an accoustic electric guitar that sounded, when plugged in, like I shoved a microphone in the sound hole, until this one. This instrument makes me a better guitar player, without even getting any better.

If you are a singer/guitar player, and you don't have this guitar, or another Taylor, you don't sound as good as you could sound.

Would be hard to tell it was "mass produced" if you didn't know.

a customer from zoominternet.net (1/4/2006)

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Gibson SJ100 Super Jumbo Acoustic-Electric Guitar (with Case) vs. Taylor 214E Grand Auditorium Acoustic-Electric Guitar (with Case)

Gibson SJ100 Super Jumbo Acoustic-Electric Guitar (with Case)

Gibson SJ100 Super Jumbo Acoustic-Electric Guitar (with Case)

Affordable, luxury Super Jumbo with Moustache Bridge and active electronics with sound hole mounted volume control.

Gibson SJ100 Super Jumbo Acoustic-Electric Guitar (with Case) Features…

Handcrafted in: Bozeman, MT

Body Style: Super Jumbo

Top Species: Premium Sitka Spruce

Back and Sides: Bubinga

Body Binding: Single-ply top and back

Neck Species: Mahogany

Scale: 25-1/2 in.

Profile: Round

Species: Indian Rosewood

Inlays: MOP Dots

Nut Width: 1.725 in.

Bridge: Rosewood Moustache

Pins: White plastic

Tuners: Nickel Gotoh

Pickguard: Tortoise SJ-100

Pickups: Active electronics with sound hole mounted volume control

Case: Premium Hardshell

Strings: Gibson Masterbuilt Premium Phosphor Bronze Wound

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In a word fantastic. Lively, dynamic, feels alive.

Nice quality woods throughout. Neck could have been better so that's why it's not a 10.

Perfect. I personally don't like gold tuners so I swapped them for chrome schallers – just personal preference. The gold ones were very high quality Yamaha's.

Anonymous (10/28/2002)
First Jumbo and it's Great!!!

I allways wanted a Jumbo Acoustic Guitar and I finally got one. This is the only guitar I sing with and it is great. I have had a Martin 6 and a 12 string and this is better. I have 16 guitars and 3 other Gibsons, a Les Paul Studio, a SG Standard and a Gibson Bass. This guitar is the best of the 4. My only complaint is you have to take the strings off to put in the battery. The sound this guitar puts out is the best acoustic I have had and I have had many that I have sold over the years.

Dave who is still playing from Cle Elum Wa (May 13, 2008)

Taylor 214E Grand Auditorium Acoustic-Electric Guitar (with Case)

Taylor 214E Grand Auditorium Acoustic-Electric Guitar (with Case)

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The appealing tones and subtle nuances of a solid Sitka spruce top and Indian rosewood laminate backs and sides are amplified with clarity and warmth, thanks to Taylor’s Under-Saddle Transducer (UST) pickup.

A modestly priced, solid-wood guitar with tonal qualities and resonance approaching that of a premium acoustic guitar — an incredible value.

Taylor 214E Grand Auditorium Acoustic-Electric Guitar (with Case) Features…

Type/Shape: 6-String Grand Auditorium

Back & Sides: Indian Rosewood Laminate

Top: Sitka Spruce

Soundhole Rosette: Wood Fiber

Neck: Tropical American Mahogany

Fretboard: Indian Rosewood

Fretboard Inlay: Pearloid Dots

Headstock Overlay: Ebony

Binding: Black Plastic

Bridge: Indian Rosewood

Nut & Saddle: Tusq

Tuning Machines: Enclosed, Die-Cast Chrome Plated

Strings: Elixir® Light Gauge Strings with NANOWEB® Coating

Scale Length: 25 1/2 Inches

Truss Rod: Adjustable

Neck Width at Nut: 1 11/16 Inches

Number of Frets: 20

Fretboard Radius: 15 Inches

Bracing: Scalloped, X-Brace

Finish: Satin with Gloss Top

Color Options: Natural

Sunburst Options: None

Cutaway: None

Electronics: Taylor ES-T

Body Width: 16 Inches

Body Depth: 4 5/8 Inches

Body Length: 20 Inches

Overall Length: 41 Inches

Case: Taylor Hardshell

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Outstanding Value!

I recently purchased this guitar and I am totally satisfied! The quality and volume of sound that it makes boggles the mind, (especially considering this is a laminate sides and back instrument). Very comfortable low profile neck, I finger pick and flat pick, (bluegrass style) and this guitar is wonderfully suited for both. I'd highly recommend this guitar, (Taylor has got a winner here and a great price to boot!).

GospelMan from Oliver Springs, TN (Apr 22, 2008)
"Little review from Israel"

See the value. But Sexual. :)

I consider{count} that it is the good tool. Convenient for use. The good price / a sound. But I want that the firm has paid attention to quality and worked above improvement of sounding.

When I was in shop I saw three tools, but two I have not liked the quality – Inside there was many sawdust and glue, details were different color. But that that has purchased I, has very much liked. That the firm has paid attention to quality I appreciate to 6.

It was not required.

a customer from gmail.com (8/14/2008)

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Taylor 214 Grand Auditorium Acoustic Guitar (with Case) vs. Epiphone DR200S Acoustic Guitar

Taylor 214 Grand Auditorium Acoustic Guitar (with Case)

Taylor 214 Grand Auditorium Acoustic Guitar (with Case)

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The Taylor 200 Series redefines what a mid-priced guitar can be. A glossy, solid Sitka spruce top meets gorgeous Indian rosewood laminate back and sides, delivering an experience of sight, sound and touch that’s unmistakably Taylor. Plug in with the optional Taylor electronics and take your performance to the stage with confidence.

Taylor 214 Grand Auditorium Acoustic Guitar (with Case) Features…

Type/Shape: 6-String Grand Auditorium

Back & Sides: Indian Rosewood Laminate

Top: Sitka Spruce

Soundhole Rosette: Plastic

Neck: Tropical American Mahogany

Fretboard: Indian Rosewood

Fretboard Inlay: Pearloid Dots

Headstock Overlay: Indian Rosewood

Binding: White Plastic

Bridge: Indian Rosewood

Nut & Saddle: Tusq

Tuning Machines: Enclosed, Die-Cast Chrome Plated

Strings: Elixir Light Gauge Strings with NANOWEB Coating

Scale Length: 25 1/2 Inches

Truss Rod: Adjustable

Neck Width at Nut: 1 11/16 Inches

Number of Frets: 20

Fretboard Radius: 15 Inches

Bracing: Scalloped, X-Brace

Finish: Satin with Gloss Top

Cutaway: None

Electronics: None

Body Width: 16 Inches

Body Depth: 4 5/8 Inches

Body Length: 20 Inches

Overall Length: 41 Inches

Case: Taylor Hardshell

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Believe what you've read about Taylor Guitars

Absolutely perfect set-up right out of the box. Just tune it, and play it. After a solid week of play, it's really beginning to open up. I Love it !!! Mine has an unusual figured top…it has an almost flamed look to it. Go ahead and buy one, Taylors are everything you've heard about them, maybe better.

Rob from North Carolina (Apr 11, 2008)
Best tone for under a grand

I have had the 214 since 2003 and ever since have not regretted the buy. Anytime someone picks it up to play it, they fall in love. The tone is classic taylor quality and the price is unbeatable. Another cool feature is that with age, the spruce top turns somewhat of a rich golden color. Beautiful guitar, beautiful sound, and beautiful price.

Red from Texas (May 5, 2008)

Epiphone DR200S Acoustic Guitar

Epiphone DR200S Acoustic Guitar

Feel the resonance as you strum chords. Hear the sound as you use a pick or your fingers. Epiphone has built a winner here. The DR200S has a solid Spruce top, Mahogany back and sides, and a set Mahogany neck and a Rosewood fretboard with split diamond inlays. You can’t beat the price or quality of this guitar.

Epiphone DR200S Acoustic Guitar Features…

Hardware: Chrome

Scale: 25.5 in.

Nut Width: 1.68 in.

Neck: Set

Neck Material: Mahogany

Body Material: Mahogany

Top: Solid Spruce

Fretboard: Rosewood w/ Split Diamond Shaped Inlays

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Good Guitar

I've had this guitar for about a year, and I think it is a fairly good one. The only problems I had was when I first purchased it, and the bridge was making a lot of buzzing and the high E string had a sitar-like sound to it. That was worked out when they shimmed the bridge for me, and it has sounded great ever since. All in all, its a good guitar, but after a little while, you may want to move on to something with better tone and sound quality.

Torey from Rochester, NY (Jun 9, 2005)
Epi Acoustic works

I have had a DR-200S for about a year and have used it just to play and for recording. I highly recommend it. It feels close to any Gibson or PRS electric neck (same width). The strap pin on the neck joint is great compared to not having one. Good looking acoustic, easy on the wallet for the tone!

Josh from Grand Rapids, MI (Apr 4, 2005)

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