 Owner’s Manual
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The V-Tone GMX212 is the flagship in the new V-TONE guitar amp series with 2 x 60 Watts, featuring 2 x 12 in. Jensen/Bugera speakers and authentic V-Tone analog modeling combined with integrated multi-effects and tuner. The GMX212 offers 2 full-featured modeling channels that boast 3 classic guitar amps, 3 speaker simulation models plus 3 gain modes each, all individually selectable. Ultra-flexible FXT function allows independent effects settings on each channel, while the patented* Dynamizer circuitry captures every nuance of your playing and lends tube-like compression to your tone. The 24-bit stereo multi-effects processor with world-class effects such as chorus, flanging, phasing, rotary, auto-wah, echo, delay, compressor and various effect combinations offers 99 user presets and MIDI control. The integrated auto-chromatic tuner is controllable via footswitch.
* Powerful 2 x 60-Watt Guitar Workstation with authentic V-Tone Analog Modeling
* 2 original heavy-duty 12 in. Jensen guitar speakers for classic sound
* Authentic V-Tone Analog Modeling for 3 classic guitar amps, 3 speaker simulation models plus 3 gain modes. 27 modeled sounds individually selectable per channel
* 2 independent, full-featured modeling channels offering everything you need from clean to crunch to super-fat distortion sounds
* FXT – ultra-flexible FX Tracking allows independent effects settings on each channel
* Dynamizer circuitry captures every nuance of your playing and lends tube-like compression to your tone
* 24-bit stereo multi-effects processor with world-class effects such as chorus, flanging, phasing, rotary, auto-wah, echo, delay, compressor and various effect combinations with 99 user presets and MIDI control
* Integrated auto-chromatic tuner controllable via footswitch
* Additional loudspeaker plus headphones outputs with integrated speaker simulation
* Adjustable aux in and dedicated tape input for playback or other line-level signals (e.g. CD player, drum computer)
* Stereo tape and line outputs with speaker simulation for direct recording and live applications
* Insert facility for external effects devices (rack effects, stomp boxes, wah-wah pedals, etc.)
* Dual footswitch FS112 for channel selection, effect bypass and tuner activation included
* Designed in Germany. Manufactured under ISO9000 certified management system
Owner’s Manual
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Specs
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Additional Info
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Warranty
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"Not what i thought it was, but everything i was looking for."
Ok first of all i love it, i only rated it a 9 because it's too easy for someone to just rate 10 on everything and make it look better than it really is. I love the sound quality, much better than what i expected.
I can't really say "i wanted it" cause as i mentioned before, i was desperate and bought the most powerfull amp i could find on a budget, appearance didn't matter, economics mattered. But it is a rather attractive amp.
Ok when i bought this amp, i bought it out of necessity, not desire, honestly i wanted a Marshall or a Mesa (yeah right, like i could afford that) I was playing alot (and i mean alot) with my youth at church, and in my church, and the only amp i had was a crate xt15 15watt practice amp, luckily my processor had 2 line outs so i ran one to the amp for a personal monitor and the other to a DI box and into the house system. To make a long story short, i needed more power and desperatly, it was within my price range so I grabbed it, probably a little pre-maturely at the time, but i don't regret it now, i'm glad i went with my instincts.
Ok i'm gonna give it a 10 over all, cause when i first got it, and started messing with it, let's be honest, I thought i got ripped off, i didn't like the sound of it, i was dissapointed, but fortunately i didn't give up on it, i drug out the manual and started reading through it, and went back and played with the effects and EQ settings some more, and It really came to life at that point. My usual pedal setup is extremely extensive, i have about 8 or 9 stomp boxes, a Digitech GNX1 processor, and an Alesis Quadraverb GT rackmount processor, and a Furman powered pedal board. let's be honest that stuff gets HEAVY! and as i was searching through the effects, i was able to find every single sound that i use and adjust it to match my processors and pedals, exactly, and even found an effect that before i had to link 2 processors in line to get. It was just that simple, that all my messy pedals and processors, and tons of cables to link everything together, it was all simplified to just and amp, the footswitch, and a wah-wah pedal. At first it wasn't what i thought it was at all, but i didn't give up hope and it became everything I was actually looking for.
a customer from yahoo.com (7/13/2006)
On my Amp hunt, I brought with me my Gibson LP standard fitted with Duncan Jeff Beck pickup and my Ibanez JS1000, running thru a Korg AX1500G. They are such solid sounding guitars,and the Marshall was suitable choice, Marshalls and Les Pauls are always unbeatable.BUT this amp is much warmer, imagine burning coal  with its orange ember..
I play everything from Blues to pop, metal to rock, satch to vai. This amp pretty much covers them all. And has anyone heard of Eric Johnson's violin-like tone? I think I could get as close to it from this amp rather than a marshall.
The highest volume Ive played it was at 8, and the room was almost shaking..however, its not such an irritating sound you'll hear, i cant believe it somehow retains the warm sound, its not sharp and trebly like other amps. Its still not hazardous to your ears even at high volume…
Made in the year 2000. You should know the features already…
I fell in love with this amp in under an hour…I was gonna buy a Marshall JCM800, but then before I made the final purchase, the salesperson offered me to test the Behringer, and I instantly dropped the marshall. I also had tested a number of Valvestate marshalls(I was actually in the shop the whole afternoon),and its no match with this beauty. And I havent run thru the effects yet, Im just talking about the clean channel.
And its so full of features… almost has the same number of features as some Line6 amps…
So far so good.
Ive been playing since I was 12 years old and im now 30(OMG, im old).Im playing semi profesionally, but stopped for 5 years to concentrate on having a decent job 
I was never satisfied with my tone, I am quite sure of what sound I like, seems to be ringing in my head everytime(im getting nuts?)..but I stopped seeking since I got this amp, well at least momentarily im satisfied.
OH yeah…The price was unbelieveable too…saved a lot compared to getting a Marshall.Just my thought on Marshalls, theyve got so much amp products in the market, they are simply conning us of our money..why not just release a few select amps, the best of the lot, and sell it. This way, musicians are saved from getting crappy sounding ones.
A piece of advice to those looking for amps: Use your own ears!Reviews are subjective..its what you hear counts..know what you want nd take time to look for it, patience my dear.
Satch_Clone (06/11/2003)
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Introducing the new Classic Plus range of all-tube amplifiers from Vox. This EL34-powered line-up marries the classic Vox tone and chime of rock and roll legend with a versatile high-gain channel that goes beyond anything in Vox’s 50 year history and into all-new Vox sonic territory. With the new AC50CP2 50-Watt combo, the Classic Plus range delivers amps that do it all — from the ’50s to tomorrow. Sound big? You bet. What do 50 years of classic Vox sonic history sound like? Play one.
2 Channels, Endless Possibilities
The Classic Plus is a channel-switching valve pre and power-amp guitar amplifier that can produce many flavors of tone, from pristine clean to impressive high-gains, and all points between. The 2 channels have a variety of wide-ranging controls to help you create the sound textures that you desire.
Channel 1 covers classic Vox AC30 tones, from sparkling clean to raunchy overdrive. The EQ on this channel is of the interactive passive format that is historic to Vox Top Boost amplifiers and boasts the addition of the famous Tone Cut control, which musically rolls off high end as it is turned up.
Channel 2 picks up where Channel 1 leaves off, delivering everything from modern blues and classic rock tones all the way to high gain classic metal sounds and fluid lead tones. While Channel 2’s EQ controls are also of the interactive passive format, they are centered on different frequencies to enhance the higher gain capabilities of Channel 2. The Channel 2 Bright Switch brings in an extra capacitor (switch down) across the Gain control to boost the high-mid and upper frequencies and is particularly effective on lower gain settings. The Bright Switch is great for giving extra bite and clarity to muddy sounding humbuckers. The Fat Switch adds extra gain, and focuses the mid range of the guitar and amp, which helps produce a “singing” tone when playing lead lines.
The Presence Control circuit is another unique feature to the AC range. It combines the traditional active power amp feedback circuit with a passive circuit within Channel 2’s preamp. This not only focuses the Presence boost, but, if you turn the control down, it will also introduce a high frequency cut filter that can be used to de-fuzz the preamp distortion, making it less aggressive and sweeter. Since the channels of the Classic Plus are totally independent, you do not need to compromise to achieve your desired tonal palette. It’s almost like being able to mix and match two completely different amplifiers!
Total, Tonal Control
The Classic Plus range is packed with features and controls that meld the best of Vox’s history with modern conveniences. The Classic Plus features a long spring, high-quality Spring Reverb with individual, foot-switchable level control for each channel, plus series FX looping with selectable level control and bypass switching. The Bypass slide switch will either engage the loop (switch On) or disconnect the effects loop circuitry from the rest of the amplifier (switch Off). With the Loop switch in the Off position, the Send jack socket is still operational and can therefore be used to send the signal to another device such as a tuner or slave amplifier. The Loop Level switch allows the loop to used at 2 different signal levels (approximately +4dBV (high) and -10dBV (low)). This will enable a wide range of devices to be connected to the amplifier. Channel switching and on/off reverb control is managed with the supplied VF002 dual footswitch.
Go Direct
The Classic Plus range features extensive direct recording and line out capabilities from both balanced XLR and unbalanced 1/4 in. outputs with rotary level control and ground lift switching. To enable great sounding connection into PA or recording equipment, the DI also features a speaker emulating Low Pass Filter (LPF) network. This can be switched into or out of circuit as required. Another great plus of the DI circuit is that it is post the power amplifier’s phase inverter valve, and before the Output Master Volume control. No matter how loud or quiet your stage level is, you have totally independent control of the DI output level. You can even turn the Master Volume totally off and use the DI output for “silent” recording for those midnight sessions.
Power Trio
The Classic Plus range is comprised of the 50-Watt AC50CPH head (4 x 12AX7/ECC83, 2 x EL34B), the 100-Watt AC100CPH head (4 x 12AX7/ECC83, 4 x EL34B), and the 50-Watt AC50CP2 combo (4 x 12AX7/ECC83, 2 x EL34B). The AC50CP2 comes loaded with 2 Vox original design 12 in. speakers voiced for maximum performance with the Classic Plus. Pair either of the heads with Vox’s V412BN cabinet, and you’ve got an unbeatable tone machine. No matter how you play, there’s a Classic Plus for you. And with their combination of unmatched tone, flexibility and ultra-cool looks, the Classic Plus range is at home on any size stage. Plug in and hear them roar!
Power Output: 50 watts RMS into selectable 8 or 16-ohm loudspeaker load
Loudspeaker complement: 2 off Vox/Wharfedale GSH1230 8-ohm loudspeakers wired in series for a total of 16-ohm load
Valve complement: 4 x 12AX7/ECC83 (V1:Low microphonic) and 2 x EL34B
Dimensions (W x H x D): 702 x 265 x 540 mm / 27.6 x 10.4 x 21.3 in.
Weight: 35 kg / 77.2 lbs.
Included items: Power cable, VF002 footswitch
Finally…
Classic AC30 chime with a flamethrower drive channel and 50W of EL34 joy. Incredibly flexible tone shaping and an effects loop. The Wharfdale speakers actually really sing with the extra 20W over an AC30. Master volume keeps it reasonable, but it shines when wide open. I use a 72 Tele Deluxe, Hagstrom Deluxe F, and a 60s Fender Strat. I usually run a boost, but hardly ever a drive pedal. My favorite tone so far is with the gain on Channel 1 at about 9 o'clock, EQ mostly flat with slight boost to the treble and bass, tone cut at 9 o'clock, and both channel volume and master volume cranked… delightful. Actually the same settings on Channel 2 are great for a thick but defined crunch. No regrets here.
Lad Goesl from Texas (Jul 12, 2007)
Ive owned orange, mesa, marshall and fender amps and to me the cleans sounds like a classic vox ac 30 and the overdrive sounds like a mesa rectifier. I play a gibson les paul, sg and hollow body and the amps sound great with all three. I love this amp
Having two channels is a big plus. Reverb on both channels is great. I have no complaints here except for that the amp should have came with casters. The amp weighs 69lbs. I installed casters on mine but factory casters would have been nice.
Built like a Tank. I have never had a problem with it. Being built in china scares me but so far so good
I was looking for amp with a clean clean and a nasty overdrive channel and this amp delivers.
Dont look this amp over its and great vox and with a great sound.
kidtiger (11/19/2008)
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